Edit cues

Edit cues is a recording mode. While it is on, every change you make is also written into the scenes and cues you selected, and a small marker beside each setting shows whether it is in them. It is how you build cues that change only a few settings, and how you fix several scenes at once. If you know MadMapper, it is its Edit Cue Mode.

1Make a cue

1. Click + Cue in the strip. An empty cue appears in the Cues row (“Cue 1”), selected, and Edit cues turns on.
2. A message tells you what to do next.
3. Change what the cue should set: a colour, a brightness, a look. Or click the hollow markers beside settings to put them in as they are.
4. Leave Edit cues. Fire the cue from the strip's Cues button: only its settings change.

2Turn Edit cues on and off

• On: the red Edit cues button in the strip, Ctrl + Shift + C (it works even while you type in a field), Edit this scene / Edit this cue in a tile's menu or options, or + Cue.
• While it is on: the strip has a red outline with Editing “Cue 1” on it, the selected tiles have a red ring, the canvas's handles turn red, and every setting that a cue can hold has a marker.
• Off: the button again, Ctrl + Shift + C, or Esc (once nothing else is waiting for it, such as a drawing or an open panel). Leaving Design, switching to another tool, or switching to Simple also turns it off.

3Choose what you edit

Edit cues writes into the selected tiles:

• A click on a tile fires it and selects it.
• Ctrl/⌘-click adds or removes a tile without firing; Shift-click selects a range along its row. With several selected, the strip says Editing 2 cues and every change goes into all of them.
• With nothing selected, turning Edit cues on selects the tile that shows.

4The markers

A small round marker sits on the left of each setting. It tells you whether the selected cues hold it:

The setting's area is tinted faintly red while Edit cues is on, outlined red when it is in the cue and orange when it differs. Right-click a marker (or Shift + F10 on it) for its menu:

A setting's own right-click menu has the same three items under an Edit cues heading. Every marker action is one undo step (“Add Wall · Colour to “Cue 1””).

5Record changes

• Any change goes in. While Edit cues is on, whatever you change (drag a slider, pick a colour, choose a look, hide a surface) is written into every selected scene and cue, in the same undo step as the change itself.
• Hold Shift to change without recording. Shift-drag, Shift-click, or Shift + an arrow key changes what shows but not the cue. The marker turns orange if the cue holds the setting.
• Take a setting out: click its red marker, or focus the setting and press Backspace (or Delete).

6Shapes

A surface's shape (its corners and curves) can be part of a cue too, so a cue can move a surface. With Edit cues on, click the surface that is already selected on the canvas (without dragging): its shape goes into the cue (“Wall · Shape: in the cue (click the surface again to take it out)”). Click again to take it out. The shape's marker in the shape inspector does the same.

7Cue a whole surface

While Edit cues is on, the Surfaces list gets an Edit cues bar with Cue all surfaces, and each row gets an ALL button.

• ALL puts every setting of that surface into the selected cues: its layers, visibility, opacity, blend and input (not its shape). Its badge counts how many the cue holds, and the row is outlined red when it holds any. Right-click it to take them all out.
• Cue all surfaces does it for every surface of this projector.

8A cue's settings

A cue's options panel (✎ on its tile) lists what it sets: Sets 3 settings, one row each, with × to take one out.

Update on a cue gives its settings the values they show now; it never adds or removes settings. To add one, use Edit cues.

9Scenes in Edit cues

• A scene keeps the whole look, so it can't drop a setting: with a scene selected, changes still go in, but a red marker's click explains that Update saves the whole look.
• Selecting several scenes and changing one thing fixes that thing in all of them at once, for example the Door's colour in every scene.
• The master brightness and a projector's soft edge and trim belong to cues only; their markers ask you to select a cue.

10Where the markers are

Every look setting (pictures, videos and text too) and Playback speed; a layer's opacity, mix, visibility, fit and position; a surface's blend, opacity (one surface selected), visibility (the eye in the list), shape and input mapping; a group's visibility, opacity and blend; the master brightness; a projector's soft edge and trim.

11Hints and tips

• Small cues are powerful. A cue that only sets one surface's colour works on top of every scene: one cue instead of a variant of each scene.
• Check before you leave. The markers show exactly what a cue holds; the options panel lists it.
• Edit several cues at once. Ctrl-click their tiles, then change a setting: striped markers show where they differ, a click makes them agree.
• Use Shift for the show, not the cue. During rehearsal, hold Shift to try things without touching the saved cues.
• MIDI, OSC and triggers aren't recorded. They count as running the show. Change the setting by hand to record it.

12When something looks wrong

13Mouse and keyboard

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